They say good things come to those who wait. To those who waited for Skrillex‘s sophomore album, Quest For Fire, a month shy of an entire decade has elapsed. In that time, for many, frat parties and warehouse raves became daycare runs and open house showings. Festival slush funds became 401(k) retirement accounts. Hell, even Sonny Moore underwent a metamorphosis of his own since those simpler times. Now 35, and seemingly on the brighter side of the same pandemic-induced mental turmoil most of his other fellow millennials sustained, Moore isn’t the same producer…
