There’s something instructive about the cover of Surrender. A solitary figure, arms aloft in total euphoria, captured at the 1976 Olympia Music Festival. Richard...
Thirty years into this thing we do, and I’m still hearing the same tired argument: electronic music isn’t political; it’s just escapism, just hedonism,...
There’s something quietly compelling about documentaries that manage to capture the essence of electronic music culture without resorting to the usual visual clichés or...