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Australia’s Festivals Are Not Dying. They Are Being Asked to Pay for Their Own Survival.

When the organisers of Return to Rio cancelled their 2024 event in New South Wales, they did so citing a 529% increase in police...
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The Quiet Epidemic: Why Mental Health In Electronic Music Still Isn’t Reaching The People Who Need It

Last night I was sitting in my Mum’s lounge in Adelaide, out here visiting family, watching an interesting documentary on mental health in Australia....
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When Did Dance Music Become So Fucking Boring?

I have been chewing on this one for months and it is finally coming out, so pour yourself something stronger than coffee.When did dance...
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Goldie, Orbital, Utah Saints, Pete Tong & more feature in new podcast from London Records

London Records announce the launch of a brand-new podcast, Hit That Perfect Beat: The London Records Story – an immersive, star-studded deep dive into one of pop’s...
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Throwback Thursday – Remember When We All Agreed a Monkey Was the Future of Music

Throwback Thursday tends to reach for the good stuff. A classic twelve inch, a legendary warehouse, a night at Fabric when you still queued...
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John 00 Fleming: Six Years, One Album, a Statement Worth Making

There are artists you admire from a distance for years before the timing finally lines up. John 00 Fleming is one of them. His...
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Fake Artists, Real Money: The AI Machine Quietly Bankrupting Electronic Music’s Future

Ghost production has never been a secret in electronic music (we even wrote about it back in 2016). It has always existed in the...
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The UK Draws a Line: What the House of Lords AI and Copyright Report Means for Creators

Governments around the world are quietly wrestling with one of the most consequential policy questions of the decade: how do you protect the rights...
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NSW Just Passed the World’s First Music Protection Law. Yes, Really.

Look, I don’t often find myself applauding government press releases (have a read here). They tend to arrive wrapped in the sort of breathless...
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The Great British Festival: Five Days of Music, Decades in Landfill

UK festivals produce somewhere between 23,500 and 25,800 tonnes of waste every year. That is not a vague environmental concern you can file away...
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