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John 00 Fleming: Six Years, One Album, a Statement Worth Making

There are artists you admire from a distance for years before the timing finally lines up. John 00 Fleming is one of them. His...
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Fake Artists, Real Money: The AI Machine Quietly Bankrupting Electronic Music’s Future

Ghost production has never been a secret in electronic music (we even wrote about it back in 2016). It has always existed in the...
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The UK Draws a Line: What the House of Lords AI and Copyright Report Means for Creators

Governments around the world are quietly wrestling with one of the most consequential policy questions of the decade: how do you protect the rights...
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NSW Just Passed the World’s First Music Protection Law. Yes, Really.

Look, I don’t often find myself applauding government press releases (have a read here). They tend to arrive wrapped in the sort of breathless...
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The Great British Festival: Five Days of Music, Decades in Landfill

UK festivals produce somewhere between 23,500 and 25,800 tonnes of waste every year. That is not a vague environmental concern you can file away...
Techs

10 essential tips from Manual Music label owner, Paul Hazendonk on how to properly submit your demo

Manual Music Label owner Paul Hazendonk drops in with some essential tips on how to submit your demo properly.So you’ve been working hard in...
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The Long Game: Lemon and Lime’s Dan Burke on Consistency, Culture and the Brisbane Scene

Brisbane doesn’t always get the credit it deserves. In conversations about Australia’s electronic music landscape, the spotlight tends to drift toward Melbourne’s basements and...
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